Drop the day’s proxies and get each scene back built: every take reviewed against the script and cut, minutes later. Any line that didn’t land is flagged while you can still go again.
✓ Private and encrypted✓ Never used to train AI✓ You own everything
1 of 7 · Drop the footage
editloupe.com/scenes/just-felt-right
Your scenes / Just Felt Right
Drop the scene's folder anywhere on this page: footage, sound and the script. It uploads, and the scene is built.
Drop the footage. Footage, sound and the script, in one drag. Every file is checked as it lands.
A demo of Loupe: the footage is dropped in and uploads, proxies are made automatically, Loupe cuts the scene, the cut plays with a reason for every shot, a line's other takes are opened, and a note is given that makes a new version, and the scene is exported: the full-resolution final, a 4K version made with Topaz, and an XML timeline for DaVinci Resolve.
Made forFeature filmsTV seriesMicrodramasShorts and reels
Three things every shoot knows. None of them should be true.
WRAPIN POSTWEEKS LATER
A line never landed. Actors gone.
01
You find out too late.Dailies show you footage, not the scene. Weeks later, in the edit, someone notices a line that never landed in any take. By then the actors, the location and the budget are gone.
☐ Offload☐ Proxies☐ Sync☐ Log every take☐ Match to script☐ String-out☐ The actual edit
02
Days of grunt work before anyone sees a frame.Offloading, proxies, logging, matching takes to the script, stringing it out. Someone pays for days of assistant-editor hours before the creative part starts.
A001_C006.brawdone
A001_C007.brawfailed · 2:14 AM
Is everything there? Nobody’s sure.
03
Babysitting uploads.Drives in the post, uploads that fail overnight, and no one quite sure it all made it.
DAILIES, REBUILT
Dailies show you footage. Loupe shows you the scene.
Today the first time anyone sees a scene work is the editor’s assembly, long after the set is gone. Loupe turns the day’s proxies into built scenes while you’re still shooting.
TODAY
ShootDailies · next day, raw footageEditor’s assembly · days to weeksFirst time anyone sees the scene
WITH LOUPE
ShootProxies inScene built, minutes later. Still on set.Editors start from built scenes
THE FIX · ON SET
Proxies in. Scenes out.Go again only if you need to.
Drop the day’s proxies from the DIT cart. Minutes later each scene is built to the script, with every take reviewed, so you know you got it while everyone is still there.
1
Drop the proxiesFrom the DIT cart or any laptop. Camera proxies go up first; originals can follow.
2
Checked as it landsEvery file is checked. If the connection drops, it carries on by itself.
3
The scene, builtEvery take matched to the script and cut together. Press play on the monitor cart.
4
Go again?If a line didn’t land in any take, you know before you move on.
LINE 9 · JESS
No clean take of this lineA passing car runs under it in all four takes.
Go again
SCENE COVERED
You got it. Move on.Every line has a usable take. The full assembly is waiting in post.
Needs an internet connection on set. Uploading camera proxies first keeps it to minutes.
EVERY VISION, ONE SCENE
Everyone gets their cut.No more endless notation tools.
Director, producer, editor, DP, actor: each gives notes and gets their own version of the scene, built from the same assembly. Everyone on the team can watch every cut; only its owner can change it.
DIRECTORMain cut
“Hold on Jess before she speaks.”
Version 3 · 0:19
PRODUCER
“Stay on Jess while he says this.”
Version 2 · 0:21
EDITOR
“Tighter. Lose the pause after ‘Ask what?’”
Version 4 · 0:17
DP
“Play the last two lines in the close-ups.”
Version 2 · 0:19
ACTOR
“Try my second take on the first line.”
Version 1 · 0:19
THE LOUPE PIPELINE
Whatever you shot, it arrives in your timeline already assembled.
Four steps an assistant editor spends a day on, run in the background while you get on with the work only you can do.
A001_C003.braw✓ checked
A001_C004.braw✓ checked
A001_C005.braw64%
Ingest that can’t lose a fileUploads resume after a drop and are checked file by file. Proxies are made on the way in.
“I just don’t understand why…”
Ask what?
Well, we were friends.
EACH DOT = ONE TAKE
Every line, in every takeEach spoken line is found and checked against the script, take by take.
The best take, with its reasonPerformances compared line by line. Point at any shot to see why it was picked.
V1
A1
A2
A3
A4
Premiere ProResolve
A timeline, not a videoPicture, dialogue per actor, room tone and score, each on its own track.
MEASURED AT REELARC
5m 16s
from a folder of footage to a full, checked assembly of a 1:51 scene.
One scene, timed end to end.
SECURITY AND OWNERSHIP
Your footage stays yours. Written into our terms.
Private and encryptedStored privately. Download links expire within hours.
Never used to train AINot your footage, your sound or your scripts. Ever.
You own all of itFootage, scripts and every file made from them.
Never sold, never shownShare links go only where you send them, and switch off.
Deleted on requestWithin 30 days of asking.
Every processor namedListed in the Privacy Policy, with what each one does.
“When things just work, life is amazing.”
StevenEditor and co-founder, Reelarc
PLANS AND PRICING
Start free. Then pay in credits.
Every account starts with 4,000 credits: about one scene, cut and given notes. Exporting is always free.
A scene’s first cut is 400 credits plus 100 a minute of footage; each note after that, 250. More credits any time from $45 for 5,000, and they never expire. Prices in US dollars, plus any sales tax. Cancel any time.
DIRECTORMain cut
PRODUCER
EDITOR
DP
ACTOR
